#Yume 2kki english download

Uboa and the Jellyfish are the only ones who have no reaction to the Knife effect at all.

It is one of four characters in the game that cannot be killed, along with the Jellyfish, Toriningen, and Pain Blob.

The sound effect that plays when the player touches it is the same one as when a Toriningen traps the player.

Revenge - Uboa could be an annoyed Poniko getting angry with Madotsuki, as she keeps switching the lights off and on, which could be seen as a prank. Poniko's True Form - A common interpretation is that Uboa is Poniko's true form, mostly because they replace her sprite. Isolation - Due to being trapped after making Madotsuki interact with Uboa, and the following area playing the dreary White Desert soundtrack, it could relate to the game's recurring theme of isolation.

#Yume 2kki english download

Uboa itself may very well be the number one inspiration to download and explore Yume Nikki by most fans. Many non-Japanese players were introduced to Uboa through YouTube. Uboa is likely a major factor for the success of the game, especially in the English version. The White Desert soundtrack that plays after you get teleported to the new area. The only way to escape this area is by pinching Madotsuki awake or by using the Medamaude effect. Uboa itself is seen motionless with a rather warped expression near the middle of the map. Using the Frog effect here will increase Madotsuki's movement speed as well. When walking, Madotsuki's footsteps make the same 'water' sound effects also heard when adventuring through the Pink Sea, so the white, wavy ground can be interpreted as the same sort of substance. There appears to be fluid on these hills, similar to landscapes seen in the White Desert. The area shows a monochrome background with a few hills and a large decorative NPC that is groping them. If you interact with Uboa, its face will become warped and you will be sent to a sectioned off part of the White Desert known as Uboa's Trap, without a way to get back. The lamp on the desk turns on, showing a light beam. The window gets eyes and the rug's design also changes, showing a pattern with eyes as well. The one over Poniko's bed changes from one shape to another. The two pictures change, the one over the desk turns from what looks like a mouse to a face which has googly eyes as well, and what could be either a moustache or another smile. The dresser gets a 'face' with googly eyes that are similar to those of Masada's and a smile. You cannot leave the room, and flipping the light switch only causes another flash. The background music changes to an alarming filtered 'aah' noise (also played in Guillotine World). When the event happens a bright flash fills the screen, then the entire room changes and Uboa replaces Poniko. That was pretentious.There is a chance that the event is triggered when you turn off the light. All the 'people' here are cut outs, standing around and doing nothing amongst piles of garbage, refuse from a factory that's built more important things and left them behind.

Nail World introduces the idea with the Uro Mannequin that's scrapped and tossed aside, then the Red Nail's Passage puts a more sinister twist on things, and the Warehouse world completes the idea by showing that many people, possibly even everyone, is a wasted project, not just Uro. :| Anyways, I think the nail world, as well as the worlds that come after it, deal with people in general being useless, or unimportant, or non-unique.

And what I think is the most significant about it is that weird spinning woman event that the mannequin takes you to, which is certainly the most memorable thing there, but I have no idea what the hell all that is about. Like it was something that someone haphazardly tried to make into something more interesting, but ultimately failed and was tossed away. And with the Uro mannequin in particular, I think it looks like a sort of failed project. Everything that shows up in the areas cumulatively is in a very simple, scattered form, like it's unimportant and isn't doing much of anything useful at the moment, hence the barren qualities mentioned in >1830. It all seems like it adds up to a very prominent theme of artificiality, machinery, and possibly even junk. (Not to mention there's garbage… bins/corners/areas/whatever they're called in Japan everywhere. The cog maze has screws, then you go to the Nail World with nails instead of screws, then the red nail passage, then that odd warehouse area with all the two dimensional figures that are depicted in a very similar way to the nails. It's one of the few sets of worlds in any fangame that shows a clear kind of transition from one thing to another. Nails world seemed like it was very closely tied in to some of the worlds you come across before and after it.